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1 



(For Private Circulation.) #4*3 

' NIPPED IN THE BUD." ^ 



Ji. Meta-Btiama, 



WITH A PROLOGUE AND THREE ACTS. 



CHARLES JAMES £EED, Esq., 

Residing at No. 22, Grand Parade, Brighton, in the 
County of Sussex. 

(All rights reserved.) 



BRIGHTON : 
Printed by E. Lewis, 126, St. James's Street. 



1869. 



205449 
J 13 



' Escaped Convicts. 



SALVAN... 

VIDEON j 

THE VISCOUNT D'ACHILLE .... A Bohemian. 

DELICAT A Thief. 

JEAN BAPTISTE Cafe Waiter. 

ALEPO A Fisherman. 

CAPTAIN LUSSIAN A Cavalry Officer. 

JUSTIN A Money Lender. 

DOCTOR LE BREUNE 

CHEVALIER DE ST. FERNAIN.. A Rone. 

VERNIER A Deserter. 

AMAND DUVAL 

SIR EDWARD An English Baronet. 

Soldiers, Servants, Police, Bal Masque Characters. 

CORALIE An Artiste, afterwards the 

Marchioness de L'Ema. 

ROSALIE A Cafe Waitress. 

LUCIE DE BEAUMONT 

CAROLINE Her Niece. 

A lapse of one year between the Prologue and the 1st Act. 

P05449 



"NIPPED IN THE BUD." 



THE PROLOGUE. 

Scene I. — A Street in Paris. Time, Night. 
Enter Sal van and Yideon. 

Salv. It's settled, then. 

Vid. In an hour's time we will meet in the Rue. For the 
present I intend exercising my industry. (Looking off.) I cannot 
be mistaken ; 'tis Le Breune. What on earth can have brought 
him to Paris. 

Salt. Well, I should sav medical men require change and 
distraction as well as the rest of mankind; besides our escape 

Yid. I understand ; but have no fear, Mons. the Docteur has 
too much wisdom, aDd we, as honorable men, did not compromise 
our friend. But, ah, he comes this way. Caution ! 

Enter Le Breune. 

Salv. Monsieur, we have the honor of addressing Docteur Le 
Breune. 

Le Breune. Messieurs, you will compromise my safety. 

Salv. Were you suspected ? 

Le Breune. No ; the escape alone was aided by me. Should 
we ever meet, forget I ever existed. 

Salv. As you say ; but we can not forget you. (Bowing.) 

[Exit Le Breune. 

Yid. All of a sudden he has turned virtuous. 

Salv. Nothing like freedom of opinion. He has chosen the 
good path ; to his good acts every door will be opened. 

Yid. Whilst with us we shall have to open the doors ourselves, 
that's if it's worth while. (Showing bunch of keys.) A good 
workman never leaves his tools behind. (Music heard.) From the 
Opera the Bal Masque has commenced. Yernier is doubtless 
at work. It's a sin to be idle.' : A diamond snuff box and a few 
articles would be acceptable just now. 



Sa.lv. Suspicion has crossed my mind he will get into trouhle. 
We must arrange this business alone. 
Vid. Begin at once. 
Salv. Come, then, this way. (Exeunt.) 

Enter Captain Lussian smoking Cigar, and enveloped in a large 
military cloak. Sound of Diligence and Music heard. 

Enter Caroline in Bal Masque Costume. 

Car. Monsieur, Monsieur, save me ! save me ! 

Capt. Have no fear, Mademoiselle ; what service can I render ? 

Car. Monsieur, I have deceived my Aunt, I who love her so 
much. I was prevailed upon by a Madame De Lune to accompany 
her and her brother to the Bal Masque. Oh, what could have 
induced me to 

Capt. Proceed, Mademoiselle. 

Car. The Chevalier de St. Fernain, of the Roman Empire, to 
whom I was to be sold. 

Capt. Madame de Lune is an infamous wretch ; her character 
is well known 

Car. If my Aunt only knew I had been to this Bal, she 

Capt. Have no fear, Mademoiselle ; I understand everything. 
This Chevalier, a wrinkled old creature, a perfect caricature, a 

Enter Chf.v. Fernain. 

Fer. Mademoiselle, surely you are not going to leave me. 

Capt. The lady has done so of her own free will, now she is 
aware of your intentions. Monsieur will return to his pretended 
sister. Mademoiselle will forgive the insult. 

Chev. I perceive Monsieur the Captain has the greatest talent 
for pleasing, but still I repeat, it was your own wish, Mademoiselle. 
Come, adorable creature, a bowl of punch waits us. I cannot permit 
it to be wasted, come take your share. 

Capt. Away ! ( Pushes Chev. aside.) 

Chev. Monsieur, you shall render me satisfaction. 

Capt. It would be a good action to rid society of an old roue 
who assumes the manners of a young man. 

Car. Would I were away from here. 

Capt. Go, resume your own costume. Monsieur the Chevalier. 
Men who have any respect for themselves would not cross weapons 
with you. 

Chev. You will give me your mime, sir. 

Capt. There is my card, (opens note case, gives card.) 

Chev. (feeling in his pockets.) I have been robbed. 

Enter different characters in Bal Costume, dance round the Chev. 
Music. Enter Vernier (carried in, wounded.) 



Capt. (looking at Vernier.) I recognize this man as a 
deserter from the 3rd Regiment of Chasseurs. Let him be conveyed 
to the barracks. 

Police. Monsieur, the Captaine, the civil authorities claim this 
man. 

Capt. And the military power demand the arrest of a deserter. 
{To Police) However, Mons. the Commissaire, the matter rests with 
you. 

Police. As you say, Captain. 

Enter Le Breune. 

Ah, it is Monsieur, the Docteur will look to the wounded man. 

(Shaking Fernain's coat, snuff boxes, §c, drop. Several of the 
Bal Masque characters pick up various articles, and each exclaims 
"This Watch — Chain — Box — Earrings — Necklace — &c, &c, is 
mine, and this mine." A general scramble for the property dropped. 
When The Business of the scene has been well worked up) 

Capt. Ah ! I recognise my snuff box. 

Police. Have no fear, Monsieur, your property will be restored. 

Chev. No doubt about it. Monsieur the Captaine, to-morrow 
at your convenience; at present I take my leave of you and this 
charming lady. (Apart.) To-morrow 1 will be revenged. [Exit. 

Capt. to Caroline. Mademoiselle, I am at your service. We 
-will return to Madame De Luni. Now you have no cause to fear, 
since her character is unmasked. But come, this way, this way. 
{Wrapping her up in his Cloak.) 

Scene closed in. 

Scene 2. — Stage of a Theatre laid out for a Ball, counter at 
R. H., with refreshments, looking glass each side. 

Rosalie discovered at Counter. 

Enter Jean. 

Jean. Now all the gentry have descended to supper it gives me 
a few moments to myself; but the worst is I am iu love, starving 
on love. 

f Rosalie coming forward.) 

Bos. Jean, all this evening you have not addressed a word to 
me. 

Jean. Because I have had to address so many. What with 
exercising my tongue and legs likewise, I purpose giving both a 
rest. (Sitting.) 

Bos. I have no doubt you are tired. 

Jean. I am perfectly fatigued; my strength has been over- 
taxed. 



Ros. I am surprised ; you are always in such good spirits. I 
had a favour to ask ; but as you are indisposed 

Jean. I am indisposed to nothing you ask. At the same time 
I am disposed to go to sleep. Mademoiselle Eosalie, you are a 
very charming young woman, a perfect artiste. 

Ros. Jean, you are so comme il faut, your compliments are 
befitting a nobleman. 

Jean. I'd be content to be a gentleman, and when I am 

Ros. {sharply). You will listen when a lady speaks. 

Jean. I am all attention. Mademoiselle spoke of a favour. 

Ros. Well, you must know, Jean, I am quite strange to Parisian 
life, and 

Jean. You must not let the proprietor of tbis establishment 
know anything, for you are not such a child as not to know that at 
all the Parisian cafe's the prettiest Parisian lady is always chosen 
to receive the money at the counter, and it is her duty to bestow 
the most enchanting smile according to how they pay. 

Ros. Will you name some of the Cavaliers, I shall then know 
how to address them. 

Jean. To begin, there is the Viscount D'Achille, no one knows 
how he lives; that's to say, where he gets his money; and it's not 
anyone's business to enquire ; it's your duty to take it over the 
counter and make no remarks. Now the people are returning, I 
must hurry after the programme for your instruction. Ah ! here 
comes Mons. Justin, old sixty percent. ; Ah ! and Madme. Coralie. 
That young gentleman, Mons. Couron, he who has been with us 
at our hotel, old sixty per cent, has been most accommodating. Now, 
only fancy, that young gentleman has been with us only three days, 
he has got through as much money as would have kept a house, 
wife, and baby. Sure to be here to-night. And now, after having 
refreshed myself, I shall conduct you to the counter, for Madme. 
Coralie and Mons. Justin are coming. (Ros. goes to counter.) 

Enter Coralie and Justin. 

Jean. I never knew till now Mons. Justin was a lady's man. 

Cor. Jean. 

Jean. Mademoiselle. 

Cor. You will see that I am not followed ; no one knows that 
I have left the Opera 

Jean. Certainly, Mademoiselle (apart) she refers to that young 
man, the fisherman. Well, his love must be hot, for I have known 
him wait hours in the snow. 

Music. Enter characters, Bal Masque. 

Cor. (to Justin.) You have arranged this business relating to 
Monsieur Armand. 



Just. Quite to your satisfaction, included our negociation. The 
jewels, the 

Cor. Are with my maid. 

Jus. Behold Monsieur Amand's note of hand for 14 days. Well, 
Monsieur is at your discretion. Should he become jealous of Mon- 
sieur the Marquis de L'Emma, well, the bill is in the hands of the 
police, of course it is a forged note. 

Cor. "Well, now, I shall rid myself for the present of Amand. 
I must leave you, Monsieur Justin. 

Jus. And the next time I see Mademoiselle Coralie 

Cor. You will then address the Marchioness de L'Emma. 

Justin and Cor. exeunt. A dance executed. 

Jeax. Well, I have got rid of them. Now I shall have a little 
time to talk to Rosalie. Rosalie, I want — oh, bother. Here comes 
Monsieur Armand. [Going to counter. 

Enter Armand. 

Amd. Garoon. 

Jean. Monsieur [apart) another of Coralie's admirers. 

Amd. Have you seen Madlle. Coralie this evening ? 

Jean. Mademoiselle has returned to her hotel, where she expects 
Monsieur Amand. 

Amd. Ladies take strange freaks. I have just returned from her 
apartments. 

Jean [apart). Of course she denies herself to every one but to 
Monsieur the Marquis de L'Emma. I won't raise his suspicions. 

Amd. I will mix in the crowd. 

Jean. So would I if the time were at my disposal. 

He-enter Coralie. 

Cor. Monsieur Amand, I can never thank you enough for 
regaining my jewels. 

Amd. A service of too slight importance. 

(Cor. takes his arm.) 

Cor. We will go to my Opera box. 

Amand and Cor. exeunt. 

Jean. There they go. You are plotting some mischief, 
Mademoiselle Coralie. I read it in your eye. Ah ! no good will 
come of this. 

(Dance executed.) 

Re-enter Coralie and Amand. 

Jean exit. 

Re-enter Justin and Police. 



(Police going up to Amand.) 
Police. I arrest you in the name of the law. 

(Justin showing Bill.) 
On a charge of forgery. 

Re-enter Jean. 

Jean. Mademoiselle, I am desired to say the carriage of 
Monsieur the Marquis de L'Emma waits. 
Amd. Wretch (pointing to Coralie), you have done this. 

[Picture. 

End of Prologue. 

ACT I. 

Handsome Apartments. Doors R. and L. 

L. Lucie and Caroline discovered. 

Car. (apart). Twelve months has elapsed, and as yet my aunt 
is ignorant of that bal masque. At times I feel disposed to speak ; 
— but no ! let it pass. (Luc. reading newspaper?) My dear aunt, 
is there anything of interest in the journal ? as you seem to 

Luc. You recollect, no doubt, the night when a Chanteuse A 
Madlle. Coralie took leave of the stage ? 

Car. (apart J. Surely my aunt can know nothing. (Aloud.) 
Yes, dear aunt, I believe to marry a Marquis de L'Emma, an 
Italian nobleman. He was rich, and 

Luc. And the Marchioness de L'Emma has now lost her 
husband : a fever terminated his existence. 

Car. I cannot think, my dear aunt, the loss will be felt; for 
after all it was but a marriage of convenience. Monsieur the 
Marquis was captivated by Madlle. Coralie's power as an artiste, 
whilst she had set her mind on a Marchioness's coronet. Well, 
well, I suppose she rejoices she is again free, with riches at 
command and a title. 

Luc. Not so. It will be some time before the property can 
be settled. It was last night she again appeared on the stage, 
where, in place of delight, she was hooted— the audience would not 
listen to her. But I forgot to tell you, dear Caroline, I have 
received news from India. Sir Everad nearly lost his life in a tiger 
hunt, but was fortunately preserved by a brave young man, whom 
he has taken into his confidence and given him employment. So 
delighted is Sir Everad that he purposes bringing him to France. 

Car. So dear Sir Everad will return once more to France. 
Everyone loves him. The poor villagers have reasons for his 
liberality ; they were once more restored to their homes when the 
tire occurred. Oh ! I so 



Luc. That's not all dear ; Sir Everad has not been forgetful of 
jou. 

Car. How so, dear Aunt ? 

Luc. He longs to see you again. But of that more, much 
more, anon. [Exit. 

Music. [Piano.) 

Car. {musing, reading to herself.) I certainly am indebted to 
that brave young man, the Captain of Chasseurs, for rescuing me 
from the trap of Madame! De Lune, he so delicately preserved my 
name from dishonor, I so often think of him. Could he have been so 
rash as to have been engaged in a duel with that horrid monster, 
the Chevalier de St. Fernain ? Reflecting, I recollect the Captain 
told me he would have to return to Africa, on service. Could he 
have endangered his life on my account r I must preserve my usual 
countenance. 

Enter Footman, showing in Captain. 

Foot. Monsieur le Captaine, 3rd Regt. of the Chasseurs. 
Car. [Supresses surprise to Foot.) I will announce Monsieur 
the Captain's arrival to Madame the Countess. 

[Foot., exit. 

Car. So we once more meet. Oh Monsieur — I have so deeply 
regretted your absence sinee that night 

Capt. I beg of you to think no more of it. 

Car. Monsieur, did you meet this Chevalier who insulted me ? 

Capt. Why not, Mademoiselle ? We did meet. I gave him a 
lesson in politeness that he will never forget. 

Car. Say, tell me there was no blood-shed. 

Capt. Have no fear, Mademoiselle, I had the happiness of 
pointing out to the Chevalier St. Fernain not to bring dishonor into 
a family. Monsieur the Chevalier has thought well of the advice 
and has returned to his estate. He will not show himself again in 
Paris. 

Car. I am rejoiced that nothing serious occurred by my 
absurdity. That splendid, yet withal, miserable Bal Masque might 
have ended serious; but I was only a girl, and my imagination been 
led on. Xo doubt you are glad to return to France after the 
burning heat of Africa. 

Capt. [Apart!) A good opportunity to say how much I love 
her. [Aloud.) As you say, I was rejoiced once more to return to 
my native land, and still more so to behold you. Madame La 
Comptesse is unaware that I have the great happiness of your 
acquaintance. This meeting again is perfectly accidental, for I was 
charged with a commission by my Colonel, the Count, to deliver to 
Madame La Comptesse a sealed letter. 



10 

Car. I expect my aunt directly. I cannot tell what has agitated 
me. I will walk in the garden and compose myself, and when I 
return my dear aunt will go through a presentation. 

Capt. Pardon, Mademoiselle, before you leave even for that 
short time. I love you so much that every moment is too long. 
Consent, then, to be mine. 

Car. I will not say do not hope, but for the present let me only 
retnrn to the garden, for fear any suspicions may reach my aunt. 
For the present, adieu. [Exit. 

Capt. A clever idea. All is fair in love and war. Yes, I am 
certain the love is returned. An admirable idea this lady suggests. 
Women are by far deeper in foreseeing than we are. 

Re-enter Lucie bowing to Captain. Both take chairs. 

Capt. I have the honor of addressing myself to Madame la 
Comptesse. My mission is from Monsieur, my Colonel of the 3rd 
Begiment of Chasseurs. 

Luc. Pray continue, Monsieur. My dear husband has fre- 
qently mentioned you in his letters. 

Capt. I am truly glad, Madame, you did not then address me 
as a stranger. Monsieur the Compte, my Colonel, we were great 
friends. 

Luc. My dear husband, how was he when you left ? 

Capt. His health was not so good as one might expect. Ah ! 
but Madame, my brave Colonel was indiscreet in speculation. 

Luc. Monsieur, you know everything. 

Capt. I do, Madame ; but it was for the best. {In a loio tone) 
My Colonel loved you Madame, he fears to return until he can once 
more face the difficulty. 

Luc. The climate. 

Capt. In time we become accustomed. {Giving packet, Lucie 
taking it and opening it.) 

Luc. Ah ! {starts) a will. 

Capt. Leaving you, madame, in possession of all. Besides, 
Madame 

Luc. Surely the creditors would have mercy. I would give up 
my fortune not to be separated. 

Capt. {Apart.) Why should I not restore this woman to her 
husband, if it's in my power to do so. I will. An arrangement 
with the creditors until all is paid. {Aloud.) Madame, grieve no 
longer. My good angel tells me the day may be not far distant 
when your hopes will be realized in every way, I feel sure. 

{The Fiano and Bass heard playing Opera Music.) 
Luc. Monsieur ! 

(Capt., walking to table, sits.) 
Capt. Madame La Comptesse will permit me to write a few 
lines. {Taking tip paper, writing. Music continuing.) 



11 

Luc. I fear Monsieur will be disturbed. The lady who 
occupies the above apartment is a talented artiste. 

Capt. Madame La Marchioness de L'Emma, formerly first 
singer at the Theatre Royal. I know everything. That womau 
(Stops. Voice heard singing softly, accompanied by Fiano and Bass), 
must be a demon. She destroyed the happiness of a youns: man 
who adored her. A trap for Mademoiselle was laid : the history on 
a future occasion I will relate. Suffice it to say, this young man 
committed a forgery, for which he was imprisoned. (Caroline 
overhears the last, opening door when the music alone is heard.) 
Escaping from the prison, he fled to the refuge of a worthy priest, 
who provided him with the means to leave France. He sailed to 
India. In a tiger hunt he had the happiness to save the life of a 
worthy Baronet. 

Luc. (apart) Sir Everad. You know this young man. 

Capt. Madame La Comptesse is interested. 

Luc. Amand, it was he. 

Car. And it is of him. 

Luc. I shall have the happiness of presenting to you my niece. 
(Caroline retires singing. Enter Footman.) Inform Mademoiselle 
Caroline I would like to see her. (Exit Footman.) I have 
interrupted you. 

Capt. By no means. I have concluded my correspondence. 
(Sealing letter.) Re-enter Caroline. 

Luc. My dear Caroline, I am about to present Monsieur Le 
Captain of the 3rd Regiment of Chasseurs. (Going through intro- 
duction?) (Apart.) If my dear Caroline were but united to this 
young man. (Aloud.) My dear, will you play ? (Car. going to 
piano tarns pale.) My dearest child, what ails you ? 

Car. Oh ! dearest aunt, you know I can never endure for a 
moment that horrid Yiscount D'Achille. "Well, coming up stairs, 
the very first I meet is him. 

(Going to sofa, about to fall, when Capt. supports her, placing her 
on easy chair.) 

Luc. A glass of orange flower water. [Exit. 

Capt. (Taking Caroline's hand.) I can never love but you. 
To-morrow name a time — a meeting. 

Car. (Music.) To-day we shall drive in the Bois de Boulogne 
at three, but be discreet. 

Capt. I will be there. 

Car. The rest leave to me. (Capt. drops a letter, unopened. 
She picks it up, reads.) (Apart.) Generous, good creature, he 
arranges with my aunt's creditors, so that the Count shall return. 
(Giving back letter.) I hear my aunt, she returns. 

Re-enter Luc. with small bottle and glass, pouring out glass, giving 
to Car. who drinks. 



12 

Car. Thank you, dearest auntie, I never can forget your love, 
jour goodness to me. Yes, dear aunt, I am muck better, pray 
don't let that horrid Viscount D'Achille call again. 

Enter Footman with letter, gives it to Capt. 

Foot. Monsieur Le Captain, the Sergeant would see you. 
Luc. (to Foot.) Let him be shown up. 

Foot, exit, returns with Sergt. 

Capt. (to Serg.) Is this not some mistake ? this letter is 
addressed " Major " and not Captain, (Serg. Saluting, then covering 
his eyes.) and when did this occur ? 

Serg. This morning, Major, our brave officer expired. 

Capt. (overcome.) Right, Sergeant, he was not only brave but 
good, we all loved him. (To Sergt.) Say I will attend Sergeant. 

See-GT. (Saluting), exit. Capt. opening despatch. 

Capt. (apart.) As I thought, (aloud.) Madame, I take my 
leave at present, a Court Martial requires my attendance. 
Luc. You must not neglect us, Monsieur. 

Capt. (bowing) exit. 

Scene Closed In. 

Scene. — An apartment doors JR. and L, 

Rosaile and Jean discovered. 

Jean. Well, I say it's a shame in one night to be robbed of all 
one's savings. If it had not been for that 

Eos. We should have been married, but as it is 

Jean. We must wait. My opinion is we are in dangerous 
times. I don't believe the police are active enough. (Confidentially .) 
I shall have my eye on every one who enters the cafe. Now you 
in your department. 

Ros. What am I to do. 

Jean. Notice every one. 

Ros. When I did, you got cross. I didn't like it. 

Jean. I don't mean in that way. You are to remark them to 
yourself so that you can know them again. 

Ros. I will do my best. 

Jean. I feel quite certain there are a lot of Chevaliers 
D'industrie and Bohemians arriving here. 

Ros, What are they, Jean ? 

Jean. Robbers in disguise. Don't be afraid; these gentry live by 
their wits, and it is astonishing how clever they are (bell.) There's 
Madame La Marchone's bell, I haven't a doubt she will do justice 
to the viands, &c., after exercising her vocal powers. Well, to-day 
she leaves this hotel, our bill is paid, and a souvenir for us both. 

Ros. Going to leave ? 



13 

Jean. The Viscount D'Aehille has obtained her an elegant 
establishment. Yes, to-day Mademoiselle enters her new abode. 
(Bell heard.) There goes the bell, tinkle, tinkle. 

Eos. Well, I am off then. Oh ! if I were only but a lady, the fine 
airs I'd give myself, I would wear my hair the fashion, I'd go to 
the Opera, — I don't know what I wouldn't do. There, I'd go to 

Jean. Or else you would go mad and be taken to the madhouse. 
Don't go on like that. I have to re-arrange this apartment. It's 
taken again by some gentlemen. I don't much like their looks. 

Ros. Don't you, Jean ? are they so ugly ? are they monsters ? 

Jean. I did not say anything about monsters ; 1 said I did not 
like their looks, and what I say I mean. Yes, I have seen them 
before, particularly the tall one. But oh, don't you remember the 
Bal Masque ? 

Bos. Of course I do. I was made much of then. 

Jean. And now we are made little of. Cirse those thieves 

(Bell rings.) Ros. exit. 

Jean (Looking off— Music, Pianissimo.) Yes, those are the 
gentlemen : the very description. It won't do for them to come up 
before the apartment is ready. I will meet these gentry. (Exeunt.) 

Enter Viscount and Coralie. 

Cor. Monsieur the Viscount, the insults I received last night I 
have solved. I feel assured it was jealousy on the part of the 
second singer who has taken my place, and 

Vis. But why return to the stage ? In a short time you will 
have a handsome fortune (speaking low), providing the knowledge 
of your birth and parentage is kept secret. 

Cor. Monseigner the Viscompte ! 

Vis. Madame La Marchioness, an honourable gentleman 
always preserves a secret; but, suffice it to say, you are the 
daughter of Madame Lune and adopted by the Chevalier de 
Fernain, that worthy who sports the Ribbon of the Legion of 
Honour during your absence. Ah! truly you returned but a few 
days ago. Well, the Chevalier encountered an officer of the 
Chasseurs in a duel. Monsieur the Chevalier, in consequence of a 
wound received, has been laid up with tetanis. Should he not 

recover pardon me not mentioning more of the matter, it is too 

delicate, and I would compromise no one. 

Cor. You are generous and delicate, Monsieur. 

Vis. Madame, I rejoice to be honored by your confidence ; your 
future apartments are handsomely furnished in accordance to your 
taste; nothing has been omitted. The carriage was your own 
choice, and the horses high spirited, an equipage superb. I per- 
ceive that Madame La Marchioness is all ready for the journey. 



14 

Cor. As the Monsieur truly observes, I never waste the time of 
others ; a habit I acquired from being an artiste. 

[Vis. giving his arm to Cor. 

Re-enter Jean. 

Vis. Mon ami, Jean, Madame La Marchioness has every reason 
to be pleased not only with your attention, but also of the young 
woman Eosalie ; but it's strange however 

Jean. Madame La Marchioness has not only been all consider- 
ation, the loss will be felt. 

Cor. Jean, you was always a brave gareon. Monsieur the 
Viscount informs me you have long been attached to Rosalie. How 
is it you are not yet married ? The money — the money you laid 
aside was for the purpose. 

Jean. Madame La Marchioness, it is true. But of that sum we 
were robbed. 

Cor. Robbed, Paure Enfant. 

Enter Alepo, elegantly dressed, announced by Footman as the 
Count. Coralie gives suppressed scream. 

Cor. (to Yis.) Viscount, will you oblige me. 

Vis. Certainly Madame. {To Jean.) I have something to 
say to you. {To Coralie.) Oh ! I understand you ? Come 
Jean, this way. 

Vis. and Jean Exeunt. 

Alepo. "We are aJone. 

Cor. Well, what is it you require ? 

Alepo. I will tell you. One time, at Marseilles, a young 
woman took refuge at a fisherman's hut. 

Cor. Stay, I know the rest. 

Alepo. That woman required me to assassinate a man, the 
Chevalier de St. Fernain. The horrid deed was attempted, but 
happily it failed. 

Cor. "Well, then, would you be revenged ? Hasten to the 
Magistrate, name everything, you would be laughed at as a madman. 
No, act wisely. Seek out some one else who can really love you. 
Besides the horrid deed I would have done would rise against me. 
Now let us separate as good friends. What has passed need not be 
referred to ; take these notes, {going to Cabinet brings out notes, 
gives to Alepo.) 

Alepo {apart) The notes I will not refuse, but they shall be 
employed yet to carry you off. 

Cor. And now, " Alepo, I must leave you. Monsieur, the 
Viscount, attends me ; it is the anniversary of my husband's death. 
{Organ music heard ; still continuing^) You will never be for- 
gotten. 

Alepo {apart) I have resolved, Coralie. 



15 

Re-enter Jean. 

Cor. After Monsieur, the Viscount, will conduct me in the 
carriage for a drive. (To Alepo.) Your arm, Monsieur, you will 
see me down. [Alepo gives his arm. 

Alepo (apart) A hired carriage shall be waiting for my project. 

Cor. Adieu, Jean, I will not fail you. (Jean bowing.) 

Alepo and Cor. exeunt. 

Jean. Ah ! some more mischief. That fellow had better look 
out, except he is the deepest. 

Re-enter Rosalie. 

Eos. Jean, Jean, they are coming. 

Jean. Who's a coming, or who is a going. 

Eos. The gentry who have taken these apartments, you called 
them. 

Jean. No, I never called them ; it's not my place. 

Eos. The porter is bringing their carpet bags. 

Jean. I should like to inspect the contents, that I should. 
Now, don't open your eyes so wide, except when you make an 
observation — I mean inwardly — then don't let any one see you. 

Eos. "Why I am paid to be seen. 

Jean. Ah, yes ! then let me have a look into those eyes. 

Eos. Yes ! but you must catch me first. Now, one ! two ! 
three ! and away ! {Exit hurriedly, Jean following.) 

Scene III. A retired spot, in the Bois de Boulogne. 
Enter Salvan elegantly dressed, also Yideon. 

Yid. (Bowing to Sal.) I have the honor of paying my respects 
to Monsieur the Marquis de Neuile. 

Sal. What mean you — speak. 

Yid. Fortune has thrown in our way an opportunity. Have 
you not observed the strange resemblance to Monsieur ? 

Sal. Possibly, with this exception, the color of our hair. 

Yid. And by the aid of chemistry a dye. My purpose is that 
you and he shall change places. 

Sal. Are you mad ? (Yid. whispers.) A good idea, but how 
is it to be done ? 

Yid. The title he has concealed under a false name. Well, a 
drug I have prepared. You will change the clothes : luckily I 
have still preserved the prison wardrobe ; by the aid of a hot iron 
a brand, and then 

Sal. And then 

Yid. If discovered by the river side it will be recognized as 
Salvan the Convict, whilst we the Marquis de Neuile can share. 



16 

Sal. But to assume the title requires proofs. 

Vid. Every incident we are in possession. Besides, the absence 
of Monsieur will not be marked, for he told everyone he was 
leaving. His papers are now in my possession. 

Sal. Well, and when will this project be ripe ? 

Yid. To-day. Have you not heard that a little fete is to be 
established in a village where we are to meet r 

Sal. Let us hasten, then. [Exeunt. 

Enter Captain and Caroline. 

Car. Don't let us be observed. I caught sight of the Viscount 
D'Achille. 

Capt. You have nothing to fear from the Viscount, he is truly 
in every respect a gentleman, the last of a noble race. 

Car. But one never knows. When jealousy enters the heart 
many good qualities leave us. 

Capt. Mademoiselle ! 

Car. I will explain. Monsieur the Viscount believes I am 
rich ; that from my aunt I shall also inherit. 

Capt. I perceive the object, then. 

Car. But you read our real position. 

Capt. My faith, it's truth. My love for you is real. See, I 
have already obtained the order or permit from the Minister of 
"War to marry, and no other but you shall be my choice. 

Car. My dearest {embracing). Conduct me as far as the 
village. I have already over stayed my time, and to-morrow call 
on us. 

Capt. I will, dear Caroline. This week our marriage shall 
take place. Your dear aunt shall be present. One more embrace 
until the time arrives that shall make you mine. My old comrade, 
Monsieur, shall return to France, for by now every difficulty is at 
end. 

Car. And it is you who have done this. 

Capt. "Well, what then, have we not, fought together ? {Music, 
Pianissimo. Lucie seen accidentally overhearing, but does not let 
herself be seen.) Would he not have done the same for me ? 
To him I am indebted for my life. 

Car. Does it not seem wicked deceiving: so good an aunt, our 
meeting unknown to her. Ah ! the good Sir Everad has, I find, 
chosen a husband for me, a young man he intends giving a fortune, 
whilst with me you will have scarcely enough. 

Capt. Mademoiselle, I have ample fortune. But stay before I 
conduct you to the village, where the carriage waits. {Taking off 
a ring, giving to Caroline.) Wear this for my sake, and iu 
return I ask the same of you. (Caroline giving a ring in return, 
taking his arm, exeunt Capt. and Car.) 



17 
Enter Coralie. 

Cor. Strange that I cannot find my carriage or the Viscount, 
and it is about to rain. Something occurs to my mind some 
danger threatens me. I will make an effort to return on foot, and 
then obtain a hired coach. [Enter Yer., disguised as a coachman.) 
Nothing better. (Ver., grumbling.) What is the matter, my good 
man? 

Ver. Mademoiselle, a dispute. Some gentry whom I have 
driven out disputes paying a proper fare ; and as they threaten 
to get my licence taken from me, let them walk I say {about going.) 

Cor. Stay, you can drive me into Paris. 

Vern. That I will, Madame. My cabriolet is quite close. 

Cor. I will follow you. 

Vern & Cor. exeunt. 
Enter Alepo. 
Alepo. Ha ! ha ! Now I triumph. She is mine, mine. 
Coralie overhearing. Re-enter Cor. 

Cor. I am deceived. Where is my carriage ? The Viscount ; 
no one to protect me. 

Alepo. None but me, by a plan of my own. The Viscount 
D'Achille is away. You will have the goodness to follow me, 
Madame La Marchioness. Resistance will be useless ; quick, I say . 

Cor. I will not. 

Alepo {furious). Quickly, I say. 

Cor. I say I will not. 

Music. A struggle. Coralie resisting him. 

Alepo. Rather than you should belong to another, take what 
you destined for another. 

Stabs her 9 then hurries off. Coralie screams. 

Re-enter Vern. 

Vern. Not a moment to waste ; I must look to your safety. 

[Exit. 
Coralie about to fall. 

Ee-enter Sal van. Stipports her. 

Enter Viscount. 

Cob. Monsieur, I am wounded—stabbed. 



18 

Faints in Sal.'s arms. 

Vis. Monsieur, to whom am I indebted for this service ? "Whom 
do I address ? 

Sal. Monsieur, I am the Marquis de Neuile. 

End of Act 1st. 



ACT II. 

Scene 1. — Handsome Room. Doors R. and L. Practical Window 
in C. 

Salv. and Vid. discovered at Breakfast. 

Salv. Twelve months ago I was 

Vid. Hush ! That is to say twelve months past you were in 
want of an adviser. Well, you honored me, Monsieur the Marquis, 
with your confidence. Ah, parbleu ! listen to me. (Pointing to 
his head.) The colour is perfection, and the resemblance to the 
very life. A sang froid with confidence will carry us through 
everything. 

Salv. Ha ! ha ! has it not already ? Have I not been 
recognized as the last of a noble race ? My right to De Neuile 
undisputed. Ah ! by-the-bye, I purpose celebrating my return by 
a fete. 

Vid. Of course, all that's as it should be, whilst I shall depart 
for Baden-Baden. Ah ! Monsieur the Marquis, a little distraction 
is necessary. 

Salv. I shall celebrate the fete in honour of Madame la 
Marchioness de I/Emma. 

Vid. But Monsieur the Viscount 

Salv. Is exceedingly indebted for my attentions. The 
Marchioness has recovered the wound. Strange that she cannot 
tell the assassin. To-day I expect the Viscount. 

Vid. Well, we must preserve our characters. It will not do for 
an Intendant to be seen here at breakfast with 

Salv. Decidedly. An Intendant to whom I permit. 

Vid. A good idea strikes me. 

Salv. Stop. I have resolved to make the Marchioness mine. 

Vid. Well, Monsieur the Marquis, our tastes differ ; but to 
more serious business, 

Salv. I expect daily to be appointed Commandant of the 
National Guard, Knight of the Legion of Honour. 



19 

Vid. And he should have (stops.) Read this. (Taking from 
pocket a newspaper. Gives to Salv, who reads.) 

Salv. The escape of the convict Salvan, and suicide. The 
rest I will read alone. 

Vid. To me you are indebted for this. Let us prepare to 
receive Monsieur the Viscount. 



Enter Footman. 

Foot. Monsieur the Viscount D'Achille, Madame La Mar- 
chioness de L'Emma. 

Salv. Ah ! dear Viscount. (Bowing.) Madame, I am indeed 
honored. My Intendant. (Vid. about leaving.) 

Cor. By no means. Monsieur the Marquis (sitting) I can 
never be grateful enough. 

Salv. Say no more. Madame, I was hut too happy to be in 
time ; but now you are recovered, Madam, will you tell us the 
news ? For my own part, I am so occupied. 

Cor. Charming apartments. Monsieur has taste ; but the news 
is a countryman of the late Marquis de L'Emma has arrived from 
Italy with a collection of precious jewels— diamonds — which he 
intends disposing of. I am about visiting this nobleman to day at 
the (Vid. listening) Hotel des Prince. 

Vid. to Salv. Marquis, I will take my leave (apart) to the 
Hotel des Prince. The jewels shall be mine. A private room, 
unobserved, I will listen. (Bowing, exit.) 

Visct., apart to Salv. I will leave you, my dear fellow, with 
Coralie. Make your own bargain, (apart.) Glad indeed to get 
her off my hands. My danseuse occupies all my attention. (To 
Coralie.) If Madame will permit me to return in her carriage, 
I will rejoin you. 

Cor. With the greatest pleasure. 

Salv. Madame, I am more than honored by this visit. 
Monsieur the Viscount, I beg of you to return. 

Visct. My dear fellow, I will do as you wish. Au revoir, 
and then, ha ! ha ! I shall be in time to do justice tot his dejeuner. 

(Exit.) 

Coralie drawing near to table, commencing eating. Pouring 
out wine. 

Sal. Madame La Marchioness, I drink to your health and 
future success in life. (Regarding her attentively!) 

Cor. Monsieur, if you were about to purchase a valuable 
horse you could not have better done so than the way you have 
regarded me. 



20 

Sal. Madame, my devotion for you is but the only excuse I 
have to offer. 

Cor. Monsieur the Marqui3, a presentiment whispers thi3 
attachment will be fatal. 

Sal. Ah ! you do not love me then ? 

Cor. But yet I may finish by doing so. 

Salv. Madame, be assured I love you already. You will honor 
a fete which will be held in honor of you. 

Con. Of me ? Well, I am not able to accept the invitation. 

Salv. No denial can be taken. Besides, as }ou now belong to 
me I must inform you I am aware of your birth and parentage. 
/Cor. starts.) You are the 

He-enter Viscount. 

{Perceiving Viscount.) Most facinating creature 

Cor. Monsieur the Marquis, the fete will be a treat in store. 

Viscount. Which, dear Marquis, will be accepted. 

Cor. Indeed, I must indeed remember my visit to the Count ; 

but the Marquis's society has such a charm that I have delayed ; 

but for the present au revoir. 



Salv. leads her to the door. Cor. exit. 

Viscount {taking easy chair). Marquis, how proceeds the love 
making ? 

Salv. As well as I can expect. Coralie is mine. 

Viscount {apart). Fairly off my hands. {Aloud.) Marquis 
the object of my visit to-day is to request a loan. 

Salv. Which shall be at your service. 

Visct. Ah ! Marquis, I purpose making an offer of marriage : 
turn respectable. My danseuse, although very charming, yet I am, 
-—yes, I will — enter the state of matrimony. 

Salv. May I enquire the lady's name you intend. 

Visct. For the present she exists in imagination. It is a for- 
tune, beauty, and talent I require. 

Salv. Beauty and talent can be discovered in Madame the 
Countess ; but fortune I am not aware of. 

Visct. Madame la Countess by now is a widow twelve month§ 
— more or less. 

Salv. Would Monsieur the Viscount present me at his earliest 
convenience ? 

Visct. Indeed, Marquis, your request is extraordinary. 

Salv. I perceive. If you, my dear fellow, are indeed attached, 
I will not ask you. 



21 

Visct. I certainly shall have the pleasure of so doing to- 
morrow. (Music.) 

Salv. Tliank you, Viscount, you were speaking of a loan. 

Visct. Parbleu, I had forgotten. 

He-enter Vn>. 

Vid. Monsieur the Viscount. (Salv. goes to drawer, unlocks it 9 
gives Vis. notes ) 

Sal. Let us finish our repast. (Presenting Vid.) My 
intendant. 

Sal. and Vis. sitting at table. Vid. goes to window. 

Vis. Marquis, we must get rid of some of the rabble. A con- 
spiracy is on foot to murder us. 

Sal. Have no fear, Viscount, I have every reason to hope that 
we shall shortly retire from our trade. I am expecting a lucrative 
appointment, and my interest shall be devoted to you. 

Vis. I shall then be truly indebted, dear Marquis. Then I can 
return to Provence. (Rising.) I have done justice to an excellent 
breakfast. To-morrow, dear Marquis, I will accompany you to 
Monsieur Justin. (Takes up his hat.) Adieu, Messieurs. [Exit. 

[Vid. going to door, 

Sal. (Music, Pianissimo.) What means this caution ? Has 
anything transpired ? 
Vid. The servants are away, but the Marchioness de L'Emma 

Sal. What of the Marchioness ? 

Vid. I tell you that woman will be our destruction. At present 
the Viscount knows nothing. He believes 

Sal. I understand you, the Marchioness 

Vid. Believes as well as he does. The servants 

Sal. Well, they are away : gone to the church. 

Vid. It is fortune, the Marchioness, these precious jewels, she 
will behold them. {Showing them. J 

Sal. They are indeed magnificent, but must be disposed of. 

Vid. A reward will be offered when they are missed. Monsieur 
the Viscount has intimated he will introduce to us Monsieur 
Justin. 

Sal. The very man. These jewels will realize three hundred 
thousand francs. Place them in tins cabinet. To-morrow they 
shall be disposed of, when you will realize by far the largest amount, 
which is but just. {Music, organ, from church heard.) Place 
them in this cabinet. 



22 

Vid. (placing them in cabinet lets some fall unperceived by 
either.) It will be necessary also to give the Viscount a share. 

Vid. (going to window.) By all that's unlucky. (Music, 
Piano.) The Marchioness de L'Erama is returning. 

Sal. Well, what then ? Go into the inner room, even if she 
has discovered the jewels gone have no fear. I possess a talis- 
man, proud and haughty as she may be. I will render Ler as 
harmless as a lamb. 

Vid. exit. Re-enter Coralie (falling into nearest chair.) 

Madame La Marchioness, I am indeed glad. 

Cor. Ah ! misfortunes come not nlone. I have heard from the 
advocate of the family of the late Marquis are still contending to 
defeat me. 

Salv. But the Viscount D'Achille 

Cor. Is not a lawyer to nntch them. Ah ! I now find myself 
actually in want of a few thousand f. ancs. 

Salv. And nay Intendent has not yet received the rent from the 
estate of De Neuile. 

Cor. And I fear the furniture and carriage may be seized if the 
least suspicion were to be known. 

Salv. My dear Coralie, by no means agitate yourself. 

Cor. The domestics are away. The only person who opened 
the door was the porter. 

Salv. Did you find the Count at the Hotel des Princes r 

Cor. He was not at the Hotel when I called. Besides, he 
would be the last I should apply to. 

Salv. What must be done r 

Cor. The amount I require must be had ; your Intendent 
must furnish (he means. 

Salv. I believe your carriage is in readiness. 

Cor. Well, and what then r 

Salv. Accompany me to 

Cor. I say I will not srir from here. 

Salv. What means i his violence ? 

Cor. It means I will see your Intendent. 

Salv. Surely, he will be delighted. 

(Vid. coming out, locking door, Vid bowing.) 

Vid. Madame La Marchioness, 

Cor. Monsieur, your Intendent I charge with robbery. 
Vid. (Apart.) Discovered, {about to seize her, Salv. interferes,) 
(to Salv.) Said I not she would be our destruction ? 

(Vid. seeing some of the stones, picks them vp.) 

Salv. Madame La Marchioness de L'Emma, when you make 
this charge you make a dangerous enemy, Have my Intendent 



23 

arrested, what will be the consequence ? You will be accused as an 
accomplice. Your real name and the circumstances of your 
marriage under a false name, the marriage will be void. 

Cor. {calmer.) And you know all this ? 

Salv. Much more. And you would have assassinated your 
adopted father, your real mother is a thieves' receiver. I have 
undoubted proof. Shall this house be divided against itself or shall 
we be united ? 

Cor. United! but I claim my share. 

Vid. Which you shall have. It will be necessary that they are 
removed and immediately sold before a reward is offered. 

Re-enter Visct. 
Visct. Nothing more fortunate. 

(Music, Pianissimo) Vid. speaking aside to Visct. 

Visct. It shall be done directly, Monsieur Justin will accom- 
modate us. 

(Salv., opening cabinet, gives jewel case to Visct.) 

Vid. On the Viscount's honor we may rely. [To Visct.) The 
Marquis and Madame, affairs have for a time delayed my journey to 
Baden-Baden. 

(Alepo at window t discovered, but only hearing the last sentence.) 

. Music, (Cor. and Visct. preparing to go at last.) Exeunt, Alepo 
descending by window. 

Vid. {attracting Salv. to window. Look ! 
Salv. It is Vernier. He might betray us. 
Vid. Never! he shall not live to do so. See, I am never 
unarmed. {Taking from pocket a pistol, fires.) 

Tableaux, Scene closed in. 

Scene 2. A narrow street. Enter Vern. and Delicat. 

Del. I have determined no longer to do the work of our 
directors, who have not the politeness to say a word to us in the 
street. 

Vern. A good resolve. To night we will begin for ourselves. 
Stiffen the old receiver. 



24 

Del. We will not be slaves to who say go, rob and murder, 
and take from us what we have earned. 

Vern. Let us go and drink success to the project. (Vern. and 
Delicat exeunt.) 

Music {piano.) Enter Alepo, crawling in with his arm tied up, 

Alep. Wounded and faint do I crawl ; but I will denounce 
these thieves. I will see the Magistrate. He shall learn all. 
Ah ! (starts) some one approaches ; I will conceal myself by 
yonder doorway. (Conceals.) 

Music. Enter Coraxie and Viscount. 

Cor. I fear, Viscount, this undertaking. 

Vis. Then take courage. Fortunately, you dismissed the 
carriage, and we came here by a hired cabriolet. 

Cor. Should we be seen. 

Vis. We are on a visit ©f charity. Monsieur Justin's 
address is at hand. Lean on me, you are faint ; take courage. 
(Cor. and Vis. exeunt.) 

Enter Jean and Rosali*. 

Jean. I say, Madame Coralie, Marchioness de L'Emma has 
behaved very badly to us. 

Ros. Perhaps she could not help it. But never mind. 

Jean. I do mind, and what's more 

Ros. We are going to be happy. 

Jean. Happy ! I am glad to hear it. I have been miserable 
long enough, that's the long and short of it. 

Ros. Never mind, Jean. I am very happy. 

Jean. When we are married perhaps we may be both of the 
same mind. 

Ros. Listen. We are going to the same situation, the Mayor 
, now magistrate ; it is not far off. 

Enter Amand and Le Breune. 

Le B. Here you will find my patients, and hear from them the 
blessings they bestow on the good Sir Everard. 

Am. Thank you, doctor, for Sir Everard purposes visiting them- 
selves. Your time being occupied, I shall be his pilot. 

Le B. We must hasten. 

Am. Ah ! look ! The same man who arrested me. The Ser- 
jeant of the police ; I must not be seen. 

Le B. No, go this way ; and the third house, enter it quickly. 
I will follow you. 



25 

Amand exit, Le Breune following. Music, piano heard and 
singing. 

Alepo coming forward. 

Al. I shall be in time to see the magistrates, and be revenged. 

{Exit. 

Scene 3. — Drawing room as in Act 1st. 
Enter Salv. followed by Vid. 

Salv. A mild request, certainly, you make. Give you a por- 
tion of my wife's fortune ? 

Vid. Madame La Marchioness de Neuile is a charming woman, 
tans doute. (Bowing.) I may say with truth Monsieur the Mar- 
quis showed taste when that lady's society's succeeded Madame 
la Marchioness de L'Emma. 

Salv. I am truly pleased my marriage has given satisfaction to 
my Intendant. 

Vid. That is your business, not mine. But as far as appear- 
ance goes it gives an air of respectability. For my own part, I am 
an enemy to luxury and ease. 

Salv. Stay, you are a slave to a passion that will destroy ug 
both, drunkenness and gambling. 

Vid. Well, and what tlieu ! Are we not both the Marquis de 
Neuile ? 

Salv. Undoubtedly, do we not share alike ? 

Vid. How much have you not wasted, the Commandant of the 
National Guard ? Madame de L'Emma. 

Salv. Ah, it is truth. 

Vid. Of the mistress, whilst you have a wife. 

Salv. You are indeed a model of virtue. 

Vid. You should not leave me so much to my own society. I 
get weary. At Baden-Baden I find distraction. 

Salv. That fatal table trente et quarente. You will find ruin 
will follow. 

Vid. Then we shall fall alike. 

Salv. "VVe will divide and separate. 

Vid. That shall not be, I purpose never leaving you. 

Salv. Now listen. If you continue this fatal love of gambling 
what will the world think of me to permit it. 

Vid. Well, then, let me have 3,000 francs once more to try and 
regain. It shall be the last time I will tempt fortune. 

Salv. That sum shall then be at your disposal to-day t 

Vid. Ah ! nothing better. I shall at last find some distraction 
at Baden-Baden. 

Salv. Endeavour to return millionaire. 



26 

Vid. But before leaving present my respects to your noble 
lad v. 
Salv. If you will follow me to my cabinet we will arrange. 

Music. Enter Cor. 

Vid. I shall never reach Baden-Baden. 

Cor. Monsieur the Marquis, if I am only Coralie, I will not be 
neglected. 

Vid. {apart to Salv.) I must get rid of this woman, but 
how ? 

Cor. I said, truly, when I belonged to you some misery would 
follow. Ingrate, you desert me for another. I find solitude a 
gloom I cannot endure. 

Salv. I beg of you to restrain your temper. "Whatever course 
I have followed does not concern you. 

Cor. Your marriage has not pleased me. I will not be neg- 
lected, and when an enraged woman speaks, dread the consequence. 

Salv. You threaten me. 

Vid. (apart to Salv.) I am most anxious to depart for Baden- 
Baden. 

Cor. Why rouse my jealousy. 

Salv. I will endure your temper no longer. Remember, one 
word from me will destroy a marriage you contracted under a false 
name. Be wise. All the time I can devote shall be yours. 

Vid. (apart.) This woman shall die. She stands in my way, 
and causes misery to an amiable woman. 

Cor. You will then not neglect me ? 

Vid. Madame, Monsieur the Marquis will be all consideration. 
Pardon me, Madame, this interruption; but the Marquis's affairs 
require immediate attendance. 

Salv. It is so. (To Coralie.) It is then necessary I com- 
municate with my Intendant how fresh supplies may be had. 
Believe me your wishes, your wants, are ever an object of my 
consideration. For the present, leave me with my Intendant. 

Cor. I will d > as you require. I will try and forget the sting 
you have planted in this heart. 

Music (Piano.) Exit. 

Vid. Let me have the sum I require. 

Enter Footman (announces Viscount.) 

(Footman exit. 

I shall have to give up in despair. I shall never get to Baden- 
Baden. [Exit, 



27 

(Music hurried until Viscount sits into nearest chair.) 
My dear Marquis, I have been a victim to a delusion. I am 
enraged and exasperated. My danseuse, whom I doted upon, has 
left. me. 

Salv. I would, dear Viscount, that my mistress had served me 
in the same way ; but I am cured of this. I will serve my mistress 
the same way by leaving her. 

Visct. Act upon that resolution ; but remember, dear Marquis, 
the fete to-night. Do not let any trace of annoyance be seen by 
yourself, for she might question. It is by no means agreeable to go 
over the catechism. 

Salv. Endeavour also, dear Viscount, to reconcile yourself to 
the loss of your danseuse. 

Visct. I am endeavouring to. However, Marquis, Madame 
de L'Emma cannot be present except attended by some Cavalier, on 
account of Madame la Marchioness your wife. 

Salv. I will act upon the suggestion, but afterwards I have 
determined. 

(Music from adjoining room, ' on piano, Coralie playing and 
singing. Salv. and Vist. listening. 

Visct. Viscount, I cannot leave her. 

Salv. Ha ! ha ! at all times to accommodate you, Viscount, 
{going to cabinet, Music, piano.) I have been robbed. It is 
Videou who has plundered me, and he has gone. You see what the 
love of gambling will do, to rob a comrade. 

Visct. Say, an accomplice. What has happened to day has 
occurred to others. There is indeed something droll in the nobility 
turning thieves. 

Music, Piano, A sudden scream. Enter Footman. 

Foot. Monsieur the Marquis. 
Salv. Speak, what is the matter ? 

Music until End of Scene. 
Foot. Madame la Marchioness is burnt. 
Re-enter Coralie, covered over, falls into Viscount's arms. 
Scene Closed in. 



Scene III. — Handsome rooms. 

Enter Countess. 

Caroline, {rising from piano.) You perceive, my dear aunt, 
I have been amusing myself during my husband's absence eyeing 
over a new piece of music. 



28 

Coun. (apart.) And some fearful forboding ever and ever 
crosses my mind. 

Car. "Why, aunt, do you look so pale ? 

Coun. It is nothing. 

Car. I will be sure something melancholy occupies your 
thoughts. Suppose we order the carriage and visit Sir Everard. 

Coun. You forget he is about calling to day. 

Car. Ah ! so he is. How delighted I shall be to see him and this 
courageous young man who saved his life. The Marquis de Neuile 
will invite him to the Fete. Why, aunt, you must be ill. I 
perceive my gay spirits affect you. 

Coun. (apart.) And as yet I cannot tell her. 

Car. Aunt, you must be ill, indeed. Do let me send for Dr. 
Le Beune. (Music, pianissimo.) (Speaking gently.) His skill 
is well known in Paris, and if you will not confide in me, do, I 
entreat of you, let me send. 

Coun. Ah, if it will make you happy. 

Car. It would do so. Recollect the many days and nights you 
devoted to me. Should I not be grateful now that I am sur- 
rounded with every comfort, I coulrt not show some feeling even 
more than love for my darling aunt, who took me when my poor 
mother died. 

Coun. My dearest, dearest child, (embraces her.) I am mors 
than repaid, (weeping.) 

Car. Then dry your eyes, weep no more. Oh, dearest aunt, 
think only of what ray dear good husband has told you how 
willingly he would devote his life in your service, a debt he can 
never forget for his love to his Colonel. 

Coun. Yes, dear Caroline, send for Le Beune. (Caroline 
rings.) 

Enter Rosalie. 

Ros. Madame rang. 

Coun. Come here, Rosalie. (Rosalie going to Countess. 
Music.) 

Car. (apart.) Yes, I have resolved I will send Jean to bring 
the Docteur Le Beune. [Exit. 

Coun. Rosalie, before you entered the Major's service you fre- 
quently had opportunities, both you and Jean, of seeing Monsieur 
the Viscount d'Achtlle ? 

Ros. Very often, Madame ; and with him 

Coun. The Marquis de Neuile. 

Ros. It is so, Madame, they are good friends. (Ringing 
heard, Countess starts). 

Coun. Give me your arm. I will lean on you, Rosalie, until I 
reach my room. I have much to say. (Music, pianissimo. Coun- 
tess slowly exeunt.) 



29 
Re-enter Caroline. 

Car. Fortunately, I have sent for Le Beune. {Going to 
window.) Yes, it is him, aunt. {Looking round.) 

Enter Le Beune. 

Car. Monsieur, I am indeed glad you are here. I had sent to 
you, but Providence has carried my thoughts. 

Le. B. Mademoiselle. 

Car. My aunt lias been attacked with illness. I think at times 
ghe frets over the Count's death. 

Le B. Eighteen months since that unhappy event occurred, 
I will see Madame la Countess. I will follow you, Mademoiselle. 

Caroline and Le Breune exeunt. 

Music. Enter Major and Jean. 

Major. Jean, you will inform Sir Everard I shall be at home 
to see him, also Monsieur the Marquis de Neuile. Therefore 
admit, then, should I be detained, request those gentlemen to wait. 

Taking up his hat, exit. 

Jean. From a. cafe garcon I am transformed, transplanted into 
a new station, and an elevated one, and quite suited to my taste. 
At present I am confidential gentleman to a Magistrate. Ah. ? let 
evil doers tremble; tremble, I say, tremble. 

Rosalie entering unperceived by Jean. 

Ros. Who is to tremble ? 

Jean. Then you overheard me, learning my duties. 

Ros {laughing.) Learning your duties ! You ought to know 
them by this time. You don't expect to be taught here, do you } 

Jean. I tell you I am no longer a cafe waiter. 

Ros. And I am no longer a cafe waitress. 

Jean I haven't to run about with lemonade and coffee, I am to 
be waited upon instead. I am, I repeat, confidential. I possess — 

Ros. Plenty of impudence. You show it well. I amfemmede 
ehambre to the countess. I think her the model of perfection. I 
wouldn't leave her, no notl. 

Jean. What ? 

Ros. I was at my throne again, and used to hear all the flattery 
from 

Jean {jealous.) I tell you it was not meant, and if it was it 
ought, to have been said at home to their own wives, instead of 
which they get scolded. 



30 

Ros. Messieurs were so amusing. At all events I did not dis- 
like it, and if they were not tired of being pleased, I was not. 

Jean. Oh ! 

Ros. Don't look so gloomy. Anyone to see you would believe 
you had engaged at an undertaker's. 

Jean. The position I fill is a grave one. 

Ros. Then don't make me die with laughing. 

Jean. In a magistrate's house one must preserve a silence. 

Ros. Don't you fancy you had better transplant, or transform 
yourself again into a monastery ? 

Jean. No, 1 don't. The style of life wouldn't suit me. 

Ros. You should only hear Madame, full of life and spirits. I 
am going to tell you a secret, I cannot keep it myself. Madame 
the Countess 

Jean. Madame the Countess Yes— go on 

Ros. Has been asking me about the Marquis de Neuile and the 
Viscount D'Achille. 

Jean. Does Madame intend uniting herself to the Yiscount r 

Ros. Certainly not. It is not him. 

Jean. Then it is — (Ros. covers up his mouth) — I understand. 
I will keep the secret. 

Ros. And it takes place 

Jean. Within a few days, I suppose. 

Ros. Jean, isn't it a shame ? 

Jean. What, Madame la Countess' marriage ? 

Ros. Don't be absurd. Here is everyone getting married but 
us, and when so good an example is set, why shouldn't we follow 
it? 

Jean. Monsieur the Yiscount prefers all the comforts without 
the inconvenience. 

Ros. I should like to read the Yiscount a lecture. 

Jean. That's if he would listen to it. 

Ros. He would listen to me all night. 

Jean. That's more than I shall, for I will take a sleeping 
draught. 

Ros. Don't be so rude as to interrupt a lady. 

Jean. Certainly not. You would have it all to yourself. 

Ros. I don't want it all to myself. I am not greedy, 

Jean. Say no more. We are united, and the very day the 
Countess becomes Marchioness 

Ros. Well, and what then ? 

Jean. Why, we will be one. 

[Embracing her. 

Re-enter Coralie, Countess, and Le Beune. 

Le B. I am glad to find, Madame, you have recovered your 
indisposition. 



31 

| 

Coun. Simply, dear Doctor, you have awakened new hopes in 
assuring rae the exalted rank of Monseiur the Marquis de Neuile ; 
but in reality I confide in you, I love him now even in spite of even 
trying to stifle it. 

Le B. Madame La Countess, if, as you say you love this 
Marquis de Neuile. 

Coux. I have resolved to accept him as my future husband, or 
do I consider I act unwisely, although— I do so. 

Le B. The Marquis de Neuile is Commandant of the National 
Guard. 

Coux. I purpose announcing my intentions to my niece, which 
for a time I have concealed. After the marriage we return to the 
estate, at De Neuile, remember you must never forget us. 

Le B. Forget you, Madame, would be impossible. For the 
present I will take my leave, glad indeed that 1 have made the 
enquiries. [Taking from pocket a book, giving it 10 the Countess.) 
In this book you will read a full account of the genealogy. And 
now, dear Madame la Countess, I pray for your future happiness. 
The suffering poor require my humble aid. 

Coux. A moment. {Taking purse from pocket, giving to 
Le Beuxe.) Neither will I be unmindful of their wants. 

Le. B. I will say an angel sends. (Music, piano, Le Beune 
quickly exit.) 

Re-enter Carolixe. 

Car. How glad I am to see you recovered. It was indeed 
fortunate the Doctor Le Beune was calling ; — he carries with him 
remedies for every ailing. I see, dear aunt, you are better already, 
I hope you will never be away. 

Coux, In love and feeling I am always with you ; and now 
dear Caroline, I have news to tell you. » 

Car. I am all attention. 

Coux. Well, I am about to follow your example. Are you 
aware that the Marquis de Neuile 

Car. Intends contracting a marriage ? 

Coux. You know it, then ? 

Car. Dear aunt, you surprise me ; but wlio is the lady he has 
chosen ? 

Coux. No other than 

Car. It is you, dear aunt. (Embraces her.) May he be as 
good as he who loves me. (Sadly.) 

Coux. It is my turn to scold, why are you sad ? 

Car. Aunt, how I shall miss you many ways, do I reproach 
myself for haviug deceived you? Indeed I cannot have resolution 
but I will. Music (Piano) then increasing. (Speaking during the 
Music.) Would you know why I love — unknown to you and others 
only but to the Viscount, who generously preserved the secret, that 



32 

my name was saved dishonor. (Voices heard dozvnstairs.) Ah, it 
is' Sir Everard and his protege; but you shall hear the history 
when alone. 

Music. Enter Sir Everard and Avand followed by the Major, 
Countess embracing Sir Everard. 

Cottn. introducing Sir Everard to Major. 

Music until end of Act. (Major speaking to Amand aside f 
slwwing him a paper.) 

Sir Everard. Sly dog, Monsieur, very sly; wanted to give 
me the slip. Still slyer; loves my niece, and what's more she loves 
him, Monsieur the Major, an artful girl; but I give my consent 
because you are sly people. 

Am. But, Sir Everard, for one who has worn the infamous badge 
of the prison 

Sir Ev. 'Well, Sir, and what then ? 

Am. Your niece would recoil with horror. 

Sir Ev. Damn it, I say, sir. She would recoil more likely if 
you give her the slip, and what's more, break her heart. 

Am. Dear Sir Everard. she does not know 

Sir Ev. Don't contradict me, sir, I won't have it. Excuse 
me, messieurs, I am in a rage ; we are not so polite as your nation. 
I say she does know everything, and has a woman's heart. She 
does not think a bit the worse of you for being in love with a bad 
woman, and got into trouble. Serves you right. Damme, it ought 
to be a lesson to all young men, when there are so many good girls 
single, and when I return to England and sit, like Monsieur, as 
magistrate, I won't forget to say so. But where is Monsieur the 
Marquis ? 

Enter Foot, with letter on tray, gives it Cotjn. who reading it aside 

Coun. The Marquis de Neuile writes to inform us he will be 
here to-morrow. He explains the cause of his absence satisfactorily. 
(Amand about to speak, turns faint.) 

Sir Ev. "What ails our friend ? 

Am. It is nothing, Sir Everard, but the joy of returning to my 
native land, that I am once more free from either police or spies. 

Sir Ev. To-morrow we will set out, and bless the good priest 
who was your friend. "What's more, he shall have the happiness of 
uniting you to . Egad, he deserves to be made a Bishop. 

Organ Music. 

Car. Music ! It is from our Church. 

Am. I will pray for my safe return. (Kneels in Prayer.) 

Tableaux. — End of Act II. 



33- 
ACT III. 

Scene 1st. House visible in the distance, standing on its own 

grounds. Scene painted on a flat. Trees on each side. Music, a 

Ballett introduced. 

Enter Coralie elegantly dressed with domino. 

Cor. Ah ! I am deceived. But the Marquis de Neuile is now 
in my power. He shall know and feel a woman's vengance. So he 
throws off a mistress for a wife. He has learnt my secret, which 
knowledge would deprive me of title and riches, and I in return 
will learn more. {Looking off.) He comes tbis day attended by 
his Intendent. Well, I will conceal myself, {Conceals.) 

Enter Sal v. and Vid. 

. Salv. Again, I say, give up this vice of gambling, it will be 
our ruin. 

Vid. Upon my word, Monsieur the Marquis, you are quite an 
example of virtue and temperance. But I do assure you my losses 
at Baden Baden have so completely overthrown all my good 
resolutions, that in a fit of despair 

Savl. {interrupting.) You have taken to drinking a bottle of 
wine at a sitting. Now listen ! both of us are on dangerous ground, 
for in your fits of intoxication you open your mouth too wide. It 
will be a precipice in wbich you will fall. 

Vid. Well, we shall fall together. 

Salv. I say never. We will separate. 

Vid. By no means, Monsieur the Marquis; your society has 
such a charm for your humble servant. 

Salv. Well, I will give you another chance. 

Vid. {bowing.) Monsieur the Marquis, I feel honored by this 
confidence. Once more I will try and regain my losses. 

Salv. It would be useless to oppose your bad resolutions. 

Vid. Monsieur the Marquis, our tastes differ. Consider your 
own extravagance before speaking of mine. 

Salv. Ah, it is true. But I must retrench. 

Vid. Good ; get rid of the Marchioness de L'Emma as soon as 
possible. Depend upon it your honored wife will never have one 
moment's happiness. {Speaking low.) Consider that the widow of 

the late Count de , your wife, is a lady of family, whilst 

Coralie, the Mistress, is 1 

Salv. Stay ! I understand the one you speak of. 

Vid. Exactly, you comprehend. 

Salv. One cannot sell a favorite Mistress like a favorite horse. 



34 

Vid. A favorite horse in time may become vicious, and like a 
dangerous woman may endanger one's neck. Ah ! Monsieur the 
Marquis, be warned in time. The Viscount D'Achille intends 
following your example, namely, entering the matrimonial state. 

Salv. Ha, ha ! then he will live on his own estate. He will be 
here shortly. [Aloud.) Now, Monsieur, have the goodness to 
follow, I have to receive my guests. Attend me in my room. We 
will go over our accounts. As soon as I can conveniently come. 
Music. [Exeunt.) 

Re-enter Coralie. 

Cor. Suspicion strikes me there is some deep plot. Ha, ha ! 
Tells him to wait in his room. Weil, I can follow unperceived. 
Ingrate, I have vowed for vengence, and I will have it. (Music.) 
He shall learn to his cost that a dangerous woman, like a favorite 
horse, when goaded can endanger. Yes, he went that way, I this. 
{Exit.) 

Music. He-enter Dancers, continuing the Ballet. Enter Visct. and 
Visitors. Stops. Enter Footman. 

Foot. Ladies and Gentlemen, Monsieur the Marquis desires me 
to inform you that he will attend you directly. In the meantime 
he hopes the entertainment will meet with your satisfaction, the 
supper will be served^ at 10 o'clock, after which fire- works to 
celebrate the Fete. (Bowing, exit.) 

The Ballet continues until the close of the Seene. 



Scene 2nd. — A Retired Spot, Trees. Dark. Bridge over a river. 
Enter Salv., reading a Letter. 

Salv. Warned, I obey its warning. The guests are enjoying 
the fete, whilst I must be preparing to effect my escape. The 
letter says the police have discovered everything, and to-night will 
be here in disguise. Betrayed by the ci devantlover of Coralie, 
this fisherman, after to night the Marquis de Neuile no longer 
exists. Some one approaches. Well, I can listen. (Conceals.) 

Enter Visct. and Justin. 

Visct. Monsieur Justin, everything has met with success, it 
will not be known till to-morrow that any of the properties are 
missing. Monsieur Beuron, the jeweller, will, as a matter of course, 
give information to the Police. Well, what then ? No one will 
suspect the Viscount D'Achille, or a money lending gentleman like 






35 

yourself. Now, for ray own part, ray fortune is made, I shall 
return to Brittany and repurchase the estate squandered away by m\ 
worthy parents. If I have anything to regret in this transaction 
it is, I may say, having deprived the daughters' of their marriage 
portion. 

Just. Have no fear, the ladies are handsome and will no doubt 
find wealthy husbands. 

Music heard at distance. 

Visct. Well, worthy Justin, it's consoling to think that the 
property is in safe hands. I must return, or some suspicion may be 
roused. We will endeavour to find the Marquis de Neuile. I am 
in haste not only to congratulate him on his share of the wealth, but 
also to see Madame the Marchioness. 

(Salv. coming forward, Exeunt The Viscount and Justin. 

Salv. The plot has been successful, Justin and I understand 
one another. Some one comes, I must conceal again. [Conceals.) 

Enter Rosalie dressed like Coralie. 

Eos. Well, I always wanted to be a lady. If I am only a lady 
for one night I don't care. Only fancy if I were to meet the Marquis 
de Neuile, why he wouldn't know me from the Marchioness de 
L'Emma. Oh, should I meet him, (assuming Cor. manner,) well, I 
must be in a great rage now another woman has assumed my rights. 
Monsieur the Marquis, I must say I thought at one time you loved 
me. (In apathetic manner.) But, ingrate, when you have gained 
a woman's love you desert her for wealth and position. Base 
wretch, you marry another, you trample on your devoted Coralie. 
Well, somehow or other I think this will just do. A domino will 
conceal my features, it won't be any longer Eosalie. Yes, Madame, 
I am now the Marchones de L'Emma. (Music, and heard in 
distance.) I will be if it's only to spite her. (Exit.) 

Enter Vid. 

Vid. I have waited, and yet he has not returned. I caught 
sight of Coralie. 

Salv. comes forward, catches holdoi Vid. 

Salv. Don't be alarmed. 

Vid. Well, that's strange. Startle me first, then tell me not to 
be alarmed. What are you doing here ? 
Salv. A question I might ask you. 



36 

Vid. I will tell you. the old steward of the late Marquis de 
Neoile, who embraced you as his real master (Music) told me of a 
dream he had. He said he was standing here by these trees when a 
man came and said I am your master. Oh, those eyes ! Yours 
Monsieur the Marquis, are black, whilst the one we 

Salt. Hush ! 

Yid. TTere blue for ever and ever. He has questioned me if you 
were indeed the real Marquis de Xeuile. 

Salt. This is indeed serious. 

Yid. Have no fear, I have silenced him. In a few moments his 
doom is fixed. By yonder bridge he will cross on horseback. For 
some time I have. ; *poured sulphuric acid on the rotten wood. 
(Music tremulous.) It will not bear the weight of horse and rider. 
See ! 

At back horse and man seen crossing. 

Yid. See, we are saved. 

Salt. No, we are already discovered ;~you must fly, the police 
are on the grounds. Quick to my study, I will tell you more; 
a passage leads to the town known only to me. This is indeed a 
useless murder. 

Yid. An idea. 

Salt. Quick then. 

Yid. Jean Baptiste. Change clothes ; tell him its a wager if 
he assumes your name. You will win a large sum ; I will change 
clothes with Jean the garc-on. 

Salt. It shall be done, a useless murder. 

The Bridge gives way, Man and horse fall into rivulet. Scene 
closed in. 



Scene 3rd. — Scene as in Act 1st, illuminated lamps, Music heard 
in the distance. Enter Jean dressed as Saltan. 

Jean. Ha, ha, this is a fine joke. I am now no longer Jean 
Baptiste, but the Marquis de Xeuile, Commander of the National 
guard, Knight of the Legion of Honor, Jean Baptiste may go to 
the devil. {Assuming Saltan's manner.) It is well, let my 
Intendent wait, I am going. 

Enter Ros. dressed as Cor., with domino. 

Ros. What do I see, the Marquis de Neuile, now to attack him. 
[Going up, seizing him.) Ingrate, Monsieur. 






Jean assuming Saltan's manner. 

Jean. For once and all listen Madame, your presence here 
disturbs the peace of mind of my wife, return to jroui Hotel W 

moments I have shall be devoted to you; but consider, I beg of 
conjugal happiness. 

Eos. I tell you I won't be deserted. 

Jean. [Forgetting.) Oh ! Curse this coat, it's so tight in the 
sleeves. 

Eos. "Why T do declare it- Jean. 'Turning pon him.) 

You are not the Marquis ce Xeuile. What fool's tricks are you up 
to now. 

Jean. You are not the Marchioness de L'Emma. 

Eos. I never said I was, but you see 

Jean. I don't see. the lamps give such a bad light. 

Eos. Th ks are about to commence. 

Jean. Look here, not that way, this. 1 am going to tell you 
something : the Marquis de Xeuile has laid a heavy wager that h 
night no one shall recognise him, so I am to personate him, and 
after all I don't think I make a bad Marquis. On ! Confound this 
coat, it's so tight in the sleeves. I certainly shall change my 
tailor. 

Eos. I am to understand then that Monsieur the Marquis de 
Xeuile has arranged with you to personate him. 

Jean. You are a conjuror. Here don't let us be seen. The 
company are approaching. I have my private reasons. {Exeunt.) 

Music. Pianissimo. TJie variegated lamps suddenly lit up. Z U 
Company, Ukk 'uced. 

Suddenly the lamps are homed oif. Stage becomes dark. Three 
Gendarmes with Ah: from E.H. ::> L.H. Music. A 

sudden display of lire works, showing the Pallet. Enter Foot:: an 
announcing the suppt m darkened, everyone lea ring, 

exclaiming the supp e r waits, Jumps relit. Gendarmes cross. Re- 
enter Jean very drunk. 

Jean. Well, I have received all the company, sat them all down 
to supper, embraced mv noble wife like a Marquis {hiccuping) and 
she don't know the difference, and it isin't possible she could in the 
dark ! After all, I have been a Marquis for a night, and to-morrow 
I shall again be Jean Baptiste and be rewarded. Here comes some 
more of my illustrious guests. It is the Viscount D'Achilie, I must 
get out of his way. 

About leaving, stopped by Yisct. 

Yisct. Monsieur the Marquis, you have deceived me, I alwayi 
believed you to be the last of a noble race. 



38 

Jean. A race is it r Come then, start fair. 

Visct. Sir, you have deceived me. You are not, or ever was, the 
Marquis de Neuile. You are, I say. Confess it on the spot or instant 
satisfaction. We have our swords. Draw I say, you are an escaped — 

Jean. Quite right, Monsieur the Viscount, an escaped luuatic. 
(Turning round.) 

Visct. Jean Baptiste, I understand everything. 

Jean. More than I do. 

Visct. I have the honor of paying my respects, noble Marquis. 
(Jean, hiccuping, bowing.) 

Jean. The same, noble Viscount. 

Viscount seeing Gendarmes suddenly exit. Music, 

Jean. Satisfaction, (with mock courage, drawing sword,) Draw 
I say, defend yourself. 

Music. Enter Gendarmes with sergeant, Jean flourishing sword. 
Enter Alepo. 

Alepo. (to Gendarmes.) It is him, the false Marquis, the 
assassin. 

Jean flourishing sword, 

Sergt. I arrest you in the name of the law. 

Jean. Devil take the law. (Police taking away sword.) It's 
hard to give the hand where the heart can never be. 

Eos. This is my husband. 

Police. Egad, Madame the Marchioness, we have an account 
with you. 

Scene closed in. 



Scene 4th. — An apartment window, C, Enter Vid. disguised, 

Vid. To night then has ruined us. If I am accused of gambling 
the love of women has ruined more. Well, our fate is sealed. 
(Music heard at distance, going to window.) The Gendarmes on 
the ground, Ha ! we have our flight to seek, to night we must fly 
and leave France, yes, and for ever. (Music increasing, listening, 
going to side.) Ah! 'tis a woman's voice I heard. (Looking 
through crevice.) I am not deceived, 'tis Coralie, what does she 
here ? Come what will, she dies. It is to her we owe all ; she shall 
be repaid in full. -{Goes to panel, pulls her out.) Resistance is useless 
you have long stood in our way. (Holding her tight, a struggle.) 



3i 

Music. 

Stabs her, she falls, a shot fired, he falls and dies. 

Enter Alepo, she falls insensibly into his arms. 

Enter Gendarmes, Yid. carried out. 

Music until End. 

Enter Lucie, Caroline, Doctor Le Breune, and Amand. 

Le Brune goes up to Alepo binding up wounds. 

Car. Aunt, aunt. {Crying.) 

Enter Capt. 

Capt. Madame, it grieves me to perform this painful duty. I 
hold a search warrant for the arrest of the Marquis de Neuile, 
denounced as an assassin. 

Lucie. Oh! ye heavens, my husband. {Sobbing, falls into 
nearest chair.) 

Amand. Do not grieve, Madame, he was unworthy of your 
love. 

Enter Footman bringing in coat and small box, Capt. emptying 

them. 

Lucie. My jewels gone it is truth. 

Capt. Madame, the duty of a Magistrate requires sentinels 
shall be placed round the doors. 

A sudden cry. A shot heard. Enter Yisct., brought in by 

Gendarmes, followed by Alepo, Yisct. gets free, fires at Alepo 

who falls, runs to window, a splash is heard. 

Capt. He has escaped the frontier. {To Lucie.) Madame, 
Providence is still good. 

{Organ Music heard, slowly increasing.) Enter Gendarmes 
bringing in Jean and Rosalie. Lucie at first screams. 

Another shot is heard ; Salv. brought in wounded. 

Salv. Wounded, I am going. Ha ! the church, 'tis the 
anniversary of the night we assassinated the real Marquis. 
{Slowly dying.) 



4a 

Sir Edward. Do not grieve, Madame. Providence has not 
deserted you. I will read. {Reading.) " The Marquis de Neuile, 
who was assassinated, left a son; he is the rightful heir to this 
estate." 

Ca.pt. to Lucie. Madame, consider my home yours. 

Sir Edward. Monsieur, I' have also this to say. The heir to 
this estate ) esterday breathed his last, bequeathing by will all to 
Madame the Countess. (Lucie weeping.) There is still some- 
thing more to say. The Count, Madame, your husband 

Lucie. Speak, Monsieur ; do not keep me in suspense. 

Sir Edward. He is alive, Madame. 

Capt. Alive ! 

Sir Edward. It is so, and on his voyage home — (Lucie about 
to fall. Capt. catches her in his arms.) {Organ Music.) 

Salv. I am going. {Gradually sinking.) A.h ! it's better to die 
thus, even though " Nipped in the Bud," than on the scaffold. 
{Dies.) 



END. 



E. Lewis, Steaia. Printer, 126, St. James's Street, Brighton. 



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